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• Program for Symposium in Honor of Jonathan Bernard

  Author(s):

  Brad Osborn (see profile)

  Date:

  2022

  Item Type:

  Conference proceeding

  
  

• The Bloomsbury Handbook of Popular Music Video Analysis. Edited by Lori A. Burns and Stan Hawkins. New York: Bloomsbury, 2019. 464 pp. ISBN 9781501342332.

  Author(s):

  Brad Osborn (see profile)

  Date:

  2021

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music, Musical analysis, Culture, Music theory, Musicology

  Item Type:

  Book review

  Tag(s):

  music video, Cultural musicology, Digital musicology, Film studies

  
  

• Resistance Gazes in Recent Music Videos

  Author(s):

  Brad Osborn (see profile)

  Date:

  2021

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Motion picture music, Culture--Study and teaching, Mass media--Study and teaching, Music theory, Popular music

  Item Type:

  Article

  Tag(s):

  music video, Beyoncé, Rihanna, Film music, Cultural studies, Media studies, Popular Music Studies

  
  

• The Frame and The Swerve: Music Video's Relationship to Dance

  Author(s):

  Brad Osborn (see profile)

  Date:

  2020

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Musical analysis, Music theory, Popular music, Dance

  Item Type:

  Article

  Tag(s):

  Lucretius, music video, Music analysis, Popular Music Studies

  
  

• Content and Correlational Analysis of a Corpus of MTV-Promoted Music Videos Aired Between 1990 and 1999

  Author(s):

  Brad Osborn (see profile) , Emily Rossin, Kevin Weingarten

  Date:

  2020

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Musical analysis, Cinematography, Statistics

  Item Type:

  Article

  Tag(s):

  music video, 1990s, correlation, Music analysis, Video (history and studio)

  
  

• Risers, Drops, and a Fourteen-Foot Cube: A Transmedia Analysis of Emil Nava, Calvin Harris, and Rihanna's "This is What You Came For"

  Author(s):

  Brad Osborn (see profile)

  Date:

  2020

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music theory, Cinematography

  Item Type:

  Book chapter

  Tag(s):

  musical form, Rihanna, Calvin Harris, Emil Nava, music video

  
  

• Beyond Verse and Chorus: Experimental Song Forms in Post-Millennial Rock Music

  Author(s):

  Brad Osborn (see profile)

  Date:

  2019

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Popular music

  Item Type:

  Dissertation

  Tag(s):

  Popular Music Studies

  
  

• Review of Kevin Holm-Hudson: Music Theory Remixed

  Author(s):

  Brad Osborn (see profile)

  Date:

  2019

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Teaching, Music theory, Textbooks

  Item Type:

  Review

  Tag(s):

  Pedagogy

  
  

• HEARING HEIMA: ECOLOGICAL AND ECOCRITICAL APPROACHES TO MEANING IN THREE ICELANDIC MUSIC VIDEOS

  Author(s):

  Brad Osborn (see profile)

  Date:

  2013

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory

  Item Type:

  Book chapter

  Tag(s):

  iceland, music video, Popular music, rock harmony, björk

  
  

• BEATS THAT COMMUTE: ALGEBRAIC AND KINESTHETIC MODELS FOR MATH-ROCK GROOVES

  Author(s):

  Brad Osborn (see profile)

  Date:

  2010

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory

  Item Type:

  Article

  Tag(s):

  rhythm and meter, Rhythm, meter, math rock, radiohead

  
  

• Becoming-Music, Becoming-Intimate, Becoming-Imperceptible

  Author(s):

  Brad Osborn (see profile)

  Date:

  2012

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory, Deleuze, Gilles, 1925-1995, Musicology

  Item Type:

  Article

  Tag(s):

  Gilles Deleuze, sigur ros, rock music, Deleuze

  
  

• Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres

  Author(s):

  Brad Osborn (see profile)

  Date:

  2011

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory

  Item Type:

  Article

  Tag(s):

  form, rock music, radiohead, art rock, post-rock

  
  

• Kid Algebra: Radiohead's Euclidean and Maximally Even Rhythms

  Author(s):

  Brad Osborn (see profile)

  Date:

  2014

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory

  Item Type:

  Article

  Tag(s):

  maximally even, Rhythm, rhythm and meter, Meter, radiohead

  
  

• Subverting the Verse–Chorus Paradigm: Terminally Climactic Forms in Recent Rock Music

  Author(s):

  Brad Osborn (see profile)

  Date:

  2013

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory

  Item Type:

  Article

  Tag(s):

  form, rock music, radiohead

  
  

• ROCK HARMONY RECONSIDERED: TONAL, MODAL AND CONTRAPUNTAL VOICE-LEADING SYSTEMS IN RADIOHEAD

  Author(s):

  Brad Osborn (see profile)

  Date:

  2017

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory

  Item Type:

  Article

  Tag(s):

  harmony and voice-leading, rock harmony, Popular music, radiohead

  
  

• Review of Christopher Doll Hearing Harmony: Toward a Tonal Theory for the Rock Era

  Author(s):

  Brad Osborn (see profile)

  Date:

  2018

  Group(s):

  Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory

  Item Type:

  Book review

  Tag(s):

  chords, harmony and voice-leading, rock harmony, rock music, schema theory

  
  

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