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• Our Carnal Hearts (interview with Rachel Mars)

  Author(s):

  Roberta Mock (see profile)

  Date:

  2017

  Group(s):

  Performance Studies

  Subject(s):

  Theater--Political aspects

  Item Type:

  Blog Post

  Tag(s):

  Resistance, theatre, women in performance, Gender studies, Performance, Theatre and politics

  
  

• Memories, Hauntings & Exorcisms in Brad Fraser's Snake in Fridge

  Author(s):

  Roberta Mock (see profile)

  Date:

  2008

  Subject(s):

  Twentieth century, Canadian literature, Sexual minority culture, Theater, Drama, America

  Item Type:

  Book chapter

  Tag(s):

  Postwar Canadian literature, Theatre Studies, cultural memory, Brad Fraser, 20th century, Queer theatre, Theatre and drama of the Americas

  
  

• Visions of Xs: Experiencing La Fura dels Baus's XXX and Ron Athey’s Solar Anus

  Author(s):

  Roberta Mock (see profile)

  Date:

  2010

  Group(s):

  Cultural Studies, Performance Studies

  Subject(s):

  Performance art, Sexual minority culture, Theater

  Item Type:

  Book chapter

  Tag(s):

  Georges Bataille, La Fura dels Baus, Marquis de Sade, Ron Athey, Theatre Studies, Gender and sexualities, Performance and politics, Queer theatre

  
  

• Introduction to screening of ‘Stories We Tell’ (2012)

  Author(s):

  Roberta Mock (see profile)

  Date:

  2016

  Group(s):

  Performance Studies

  Subject(s):

  Canada, Area studies, Performance art--Study and teaching

  Item Type:

  Blog Post

  Tag(s):

  autobiography, Sarah Polley, Stories We tell, storytelling, Canadian studies, Film studies, Performance studies

  
  

• Reflections on the Arts and Humanities Doctoral Thesis and Training

  Author(s):

  Roberta Mock (see profile)

  Date:

  2016

  Group(s):

  Doctoral Research in the Arts

  Subject(s):

  Art--Research

  Item Type:

  Blog Post

  Tag(s):

  doctoral training, PhD, postgraduate research, research skills, UK, Artistic research

  
  

• Performing the Toxic Body

  Author(s):

  Roberta Mock (see profile)

  Date:

  2017

  Group(s):

  Cultural Studies, Performance Studies

  Subject(s):

  Performance art--Study and teaching, Popular music, Human body--Sociological aspects

  Item Type:

  Blog Post

  Tag(s):

  Absence Presence, Amy Winehouse, performance, Prince, the body, Performance studies, Popular Music Studies, Sociology of the body

  
  

• Remembering Archaos: Circus with Attitude

  Author(s):

  Roberta Mock (see profile)

  Date:

  2016

  Group(s):

  Performance Studies

  Subject(s):

  Twentieth century, Performing arts, Popular culture--Study and teaching

  Item Type:

  Blog Post

  Tag(s):

  Archaos, circus, 20th century, French theatre, Popular culture studies

  
  

• Lynn Hershman and the Creation of Multiple Robertas

  Author(s):

  Roberta Mock (see profile)

  Date:

  2012

  Group(s):

  Performance Studies

  Subject(s):

  Twentieth century, Art, History, Performance art

  Item Type:

  Book chapter

  Tag(s):

  alter ego, digital performance, Lynn Hershman, second life, 20th century, Art history, Gender studies

  
  

• Book of Abstracts: TaPRA (Theatre & Performance Research Association) Conference 2009

  Editor(s):

  Roberta Mock (see profile)

  Date:

  2009

  Group(s):

  Performance Studies

  Subject(s):

  Performance art, Performance art--Study and teaching, Theater and society, Theater, History, Theater--Philosophy

  Item Type:

  Abstract

  Tag(s):

  Book of Abstracts, Conference, Performance Studies, Theatre Studies, Performance studies, Theatre and society, Theatre history, Theatre theory

  
  

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