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• The Internet of Musical Stuff (IoMuSt): ubimus perspectives on artificial scarcity, virtual communities and (de)objectification

  Author(s):

  Marcello Messina (see profile)

  Date:

  2022

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music and technology

  Item Type:

  Article

  Tag(s):

  ubimus, NFTs, Internet of Musical Stuff, (de)objectification

  
  

• Timbre, Rhythm, and Texture within Music Theory’s White Racial Frame

  Author(s):

  Megan Lavengood (see profile)

  Date:

  2021

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music theory, Musicology, Electronic dance music, Popular music

  Item Type:

  Book chapter

  Tag(s):

  Roland TR-909, analysis, percussion, drum machines, Jeff Mills, Popular Music Studies

  
  

• AMS Preliminary Program

  Author(s):

  Melia Wong (see profile)

  Date:

  2021

  Group(s):

  Digital Art History, Global & Transnational Studies, MusicID Community, Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Ethnomusicology, Music, History, Musicology, Music theory

  Item Type:

  Conference poster

  Tag(s):

  Music history

  
  

• The Bloomsbury Handbook of Popular Music Video Analysis. Edited by Lori A. Burns and Stan Hawkins. New York: Bloomsbury, 2019. 464 pp. ISBN 9781501342332.

  Author(s):

  Brad Osborn (see profile)

  Date:

  2021

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music, Musical analysis, Culture, Music theory, Musicology

  Item Type:

  Book review

  Tag(s):

  music video, Cultural musicology, Digital musicology, Film studies

  
  

• Resistance Gazes in Recent Music Videos

  Author(s):

  Brad Osborn (see profile)

  Date:

  2021

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Motion picture music, Culture--Study and teaching, Mass media--Study and teaching, Music theory, Popular music

  Item Type:

  Article

  Tag(s):

  music video, Beyoncé, Rihanna, Film music, Cultural studies, Media studies, Popular Music Studies

  
  

• Cartridge Music in the Quarantine: Presence, Absence, Contingency Setups and (De-)territorialised Performances

  Author(s):

  Valério Fiel da Costa, Marcello Messina (see profile) , Marco Scarassatti

  Date:

  2020

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular music, Sound art, Composition (Music), Music--Performance, Video art

  Item Type:

  Article

  Tag(s):

  John Cage, experimental music, covid-19, quarantine, Contemporary music, Music composition, Music performance, Video arts, Collaboration

  
  

• Editorial: Ubiquitous Music Making in COVID-19 Times

  Author(s):

  Leandro Costalonga, Damián Keller, Marcello Messina (see profile)

  Date:

  2020

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Computers, Music, Popular music, Culture--Study and teaching, Composition (Music)

  Item Type:

  Article

  Tag(s):

  Computers and music, Contemporary music, Cultural studies, Music composition

  
  

• Bespoke Music Theory: A Modular Core Curriculum Designed for Audio Engineers, Classical Violinists, and Everyone in Between

  Author(s):

  Megan Lavengood (see profile)

  Date:

  2020

  Group(s):

  Open Music Theory — Instructor Community, Society for Music Theory (SMT), Society for Music Theory – Jazz Interest Group, Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Teaching, Music theory

  Item Type:

  Article

  Tag(s):

  modular curricula, music theory pedagogy, Pedagogy

  
  

• “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular music, Music theory, Music, History

  Item Type:

  Book chapter

  Tag(s):

  Popular Music Studies, Music history

  
  

• "Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular music, Music theory, Music, History

  Item Type:

  Book chapter

  Tag(s):

  Popular Music Studies, Music history

  
  

• “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular music, Music, History, Music theory

  Item Type:

  Book chapter

  Tag(s):

  Popular Music Studies, Music history

  
  

• The Frame and The Swerve: Music Video's Relationship to Dance

  Author(s):

  Brad Osborn (see profile)

  Date:

  2020

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Musical analysis, Music theory, Popular music, Dance

  Item Type:

  Article

  Tag(s):

  Lucretius, music video, Music analysis, Popular Music Studies

  
  

• Content and Correlational Analysis of a Corpus of MTV-Promoted Music Videos Aired Between 1990 and 1999

  Author(s):

  Brad Osborn (see profile) , Emily Rossin, Kevin Weingarten

  Date:

  2020

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Musical analysis, Cinematography, Statistics

  Item Type:

  Article

  Tag(s):

  music video, 1990s, correlation, Music analysis, Video (history and studio)

  
  

• Risers, Drops, and a Fourteen-Foot Cube: A Transmedia Analysis of Emil Nava, Calvin Harris, and Rihanna's "This is What You Came For"

  Author(s):

  Brad Osborn (see profile)

  Date:

  2020

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music theory, Cinematography

  Item Type:

  Book chapter

  Tag(s):

  musical form, Rihanna, Calvin Harris, Emil Nava, music video

  
  

• Timbre, Genre, and Polystylism in Sonic the Hedgehog 3

  Author(s):

  Megan Lavengood (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Video games, Music theory, Popular music, Musicology, Video game music, Research

  Item Type:

  Book chapter

  Tag(s):

  sega, synthesizers, sound chips, new wave, michael jackson, Popular Music Studies, Ludomusicology

  
  

• Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.

  Author(s):

  John Covach (see profile)

  Date:

  1995

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Aesthetics, Music, History, Musicology, Music theory, Art and philosophy

  Item Type:

  Book review

  Tag(s):

  Music history, Philosophy and the arts

  
  

• Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.

  Author(s):

  John Covach (see profile)

  Date:

  1996

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Musical analysis, Musicology, Music theory, Art and philosophy

  Item Type:

  Book review

  Tag(s):

  Music analysis, Philosophy and the arts

  
  

• Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.

  Author(s):

  John Covach (see profile)

  Date:

  1996

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Musical analysis, Music, History, Musicology, Music theory, Popular music

  Item Type:

  Review

  Tag(s):

  Music analysis, Music history, Popular Music Studies

  
  

• Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).

  Author(s):

  John Covach (see profile)

  Date:

  1998

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music, History, Musicology, Popular music

  Item Type:

  Review

  Tag(s):

  Music history, Popular Music Studies

  
  

• Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015).

  Author(s):

  John Covach (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music--Instruction and study, Music, History, Musicology, Music theory

  Item Type:

  Review

  Tag(s):

  Music education, Music history

  
  

• "(Per)Form in(g) Rock: A Response"

  Author(s):

  Mark Spicer (see profile)

  Date:

  2011

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music theory, Popular music

  Item Type:

  Article

  Tag(s):

  Popular Music Studies

  
  

• "Fragile, Emergent, and Absent Tonics in Pop and Rock Songs."

  Author(s):

  Mark Spicer (see profile)

  Date:

  2017

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  African Americans--Music, Popular music, Music theory

  Item Type:

  Article

  Tag(s):

  African-American popular music, Popular Music Studies

  
  

• "Introduction: The Rock (Academic) Circus"

  Author(s):

  Mark Spicer (see profile)

  Date:

  2011

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music theory, Popular music

  Item Type:

  Book chapter

  Tag(s):

  Popular Music Studies

  
  

• "The Electric Light Orchestra and the Anxiety of the Beatles' Influence."

  Author(s):

  Mark Spicer (see profile)

  Date:

  2018

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music theory, Popular music

  Item Type:

  Book chapter

  Tag(s):

  Popular Music Studies

  
  

• "Strategic Intertextuality in Three of John Lennon's Late Beatles Songs."

  Author(s):

  Mark Spicer (see profile)

  Date:

  2009

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music theory, Popular music

  Item Type:

  Article

  Tag(s):

  Popular Music Studies

  
  

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