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• Teaching Julia Perry’s Homunculus C.F.

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2022

  Group(s):

  Composers of Color Resource Project, Julia Perry Working Group, Southwest Music Studies Colloquium, Women in American Music

  Subject(s):

  Musicology, Music theory, Composers, Black, Women composers, Minimal music, Serialism (Music), Teaching

  Item Type:

  Book chapter

  Tag(s):

  music, teaching music, women composers, black composers

  
  

• Contemplation, Heroism, and Gender in Clara Schumann's Piano Trio in G Minor, Op. 17, Third Movement (1846)

  Author(s):

  Tekla Babyak (see profile)

  Date:

  2022

  Group(s):

  American Musicological Society, Education and Pedagogy, German Literature and Culture, LLC 19th- and Early-20th-Century German, Society for Music Theory (SMT)

  Subject(s):

  Music, Gender identity, Critical pedagogy, Romanticism in music, Nineteenth century, Germans--Music, Women composers, Musical analysis, Chamber music, Music--Instruction and study

  Item Type:

  Course material or learning objects

  Tag(s):

  Music, Critical Pedagogy, women composers, gender history, Music Aesthetics, German studies, nineteenth century, gender equity, Romanticism, 19th century german

  
  

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