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• Diabolical demarcations: Landscape and 'anti-landscape in The Blood on Satan's Claw

  Author(s):

  David Evans-Powell (see profile)

  Date:

  2021

  Subject(s):

  Drama, Great Britain, Europe--British Isles, Folklore--Study and teaching, Horror, Horror films, Landscapes, History, Rural conditions

  Item Type:

  Article

  Tag(s):

  Folk horror, British drama, Film studies, Folklore studies, Horror cinema, Landscape, Landscape history, Rural history

  
  

• Lavery’s Frozen: The Psychosexual History of a Sexual Predator and the Poetics of Anti-Paedophilia

  Author(s):

  Murat Öğütcü (see profile)

  Date:

  2018

  Group(s):

  GS Drama and Performance

  Subject(s):

  Drama, Great Britain, Europe--British Isles

  Item Type:

  Article

  Tag(s):

  Bryony Lavery, Frozen, psychosexual history, anti-paedophilia, British drama

  
  

• The Politics of Sports in Louise Page's Golden Girls

  Author(s):

  Murat Öğütcü (see profile)

  Date:

  2019

  Group(s):

  GS Drama and Performance

  Subject(s):

  Drama, Great Britain, Europe--British Isles, Sports, History, Mass media--Study and teaching

  Item Type:

  Article

  Tag(s):

  Louise Page, Sports, Golden Girls, media, British drama, Sports history, Media studies

  
  

• “Picking Daffodils with Auntie Wordsworth”: Class, Intellect, and Virility in John Osborne’s "Look Back In Anger"

  Author(s):

  John Stephenson (see profile)

  Date:

  2009

  Subject(s):

  Drama, Great Britain, Europe--British Isles, British literature, Twentieth century, New wave films, Social classes, Masculinity

  Item Type:

  Essay

  Tag(s):

  John Osborne, Look Back In Anger, Richard Burton, Kenneth Branagh, Angry Young Men, British drama, 20th-century British literature, Class

  
  

• Syllabus for Melodrama, with assignments, Spring 2019

  Author(s):

  Renata Kobetts Miller (see profile)

  Date:

  2019

  Group(s):

  GS Drama and Performance, LLC Victorian and Early-20th-Century English

  Subject(s):

  English literature, Nineteenth century, Great Britain, Drama, Europe--British Isles, Literature--Study and teaching

  Item Type:

  Syllabus

  Tag(s):

  Melodrama, Victorian Theater, Victorian Theatre, Scaffolded Research, Capstone Seminar, Victorian literature, Victorian studies, British drama, Teaching of literature, Undergraduate research

  
  

• Useful Object

  Author(s):

  Patrick McEvoy-Halston (see profile)

  Date:

  2005

  Group(s):

  CLCS 20th- and 21st-Century, LLC 20th- and 21st-Century English and Anglophone, TC Psychology, Psychoanalysis, and Literature, TC Women’s and Gender Studies

  Subject(s):

  Drama, Great Britain, Europe--British Isles

  Item Type:

  Essay

  Tag(s):

  martin mcdonagh, beauty queen of leenane, British drama

  
  

• The Past is a Foreign Country: World Musics Signifying History in/and Elizabethan Drama

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society, LLC Shakespeare, TC Digital Humanities, TC Women’s and Gender Studies

  Subject(s):

  Drama, Great Britain, Europe--British Isles, Motion pictures, History, Motion picture studios, Musicology, World music

  Item Type:

  Article

  Tag(s):

  Global Shakespeare, musicology, Shakespeare, British drama, Film (history and studio)

  
  

• Archaeologies of Sound: Reconstructing Louis MacNeice’s Wartime Radio Publics

  Author(s):

  Ian Whittington (see profile)

  Date:

  2015

  Subject(s):

  Drama, Great Britain, Europe--British Isles, Irish drama, Literature, Modern

  Item Type:

  Article

  Tag(s):

  audience reception, bbc, Macneice, Propaganda, radio drama, British drama, Modern literature, Radio, War literature

  
  

• “Resurrect Your Darlings: Falstaff’s Death(s), Resurrection(s), and Lasting Influence"

  Author(s):

  Marcia T. Eppich-Harris (see profile)

  Date:

  2017

  Subject(s):

  Drama, Great Britain, Europe--British Isles, Theater, Sixteenth century, Seventeenth century, Shakespeare, William, 1564-1616

  Item Type:

  Article

  Tag(s):

  Shakespeare, Falstaff, Henry V, British drama, Early modern theatre

  
  

• A Conversation with Nina Raine, April 5, 2014

  Author(s):

  Marcia T. Eppich-Harris (see profile)

  Date:

  2017

  Subject(s):

  Drama, Great Britain, Europe--British Isles

  Item Type:

  Interview

  Tag(s):

  British drama, drama, Nina Raine

  
  

• “The Liminal Space between Feminism and Misogyny: Introducing Playwright Nina Raine’s Rabbit"

  Author(s):

  Marcia T. Eppich-Harris (see profile)

  Date:

  2017

  Subject(s):

  Drama, Great Britain, Europe--British Isles, Women's studies

  Item Type:

  Article

  Tag(s):

  Nina Raine, British drama

  
  

• “She writes like a Woman”: Paratextual Marketing in Delarivier Manley’s Early Career

  Author(s):

  Kate Ozment (see profile)

  Date:

  2016

  Subject(s):

  Drama, Great Britain, Europe--British Isles, English literature

  Item Type:

  Article

  Tag(s):

  Delarivier Manley, Restoration Drama, authorship, British drama

  
  

• Publishers Marketing Restoration Drama: A Case Study of Paratextual Experimentation

  Author(s):

  Kate Ozment (see profile)

  Date:

  2017

  Group(s):

  LLC Restoration and Early-18th-Century English, TM Book History, Print Cultures, Lexicography

  Subject(s):

  Drama, Great Britain, Europe--British Isles, English literature

  Item Type:

  Conference paper

  Tag(s):

  Authorship, Restoration Drama, Delarivier Manley, British drama

  
  

• Two Minor Dramatic Experiments. Edward Morgan Forster and His Pageants

  Author(s):

  Krzysztof Fordonski (see profile)

  Date:

  2011

  Group(s):

  Edward Morgan Forster

  Subject(s):

  Drama, Great Britain, Europe--British Isles, English literature

  Item Type:

  Article

  Tag(s):

  Edward Morgan Forster, pageant, Ralph Vaughan Williams, British drama

  
  

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