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• Memoria y subjetividad en el documental latinoamericano actual

  Author(s):

  Natalia Christofoletti Barrenha (see profile)

  Date:

  2021

  Group(s):

  Red de Investigación Mujeres en el Cine Latinoamericano

  Subject(s):

  Documentary films--Production and direction, Documentary films--Authorship, Documentary films, Autobiography, Motion pictures and history, Motion pictures, Latin America

  Item Type:

  Article

  Tag(s):

  History and Memory, First-person documentary, latin american film, Documentary filmmaking, Personal documentary, Film and history, Film, Latin American cinema

  
  

• Nature, the Monumental and Urban Technological Networks in Víctor Moreno's Edificio España (2012) and La ciudad oculta (2018) / Naturaleza, lo monumental y las redes tecnológicas urbanas en Edificio España (2012) y La ciudad oculta (2018) de Víctor Moreno

  Author(s):

  Susan Larson (see profile)

  Date:

  2021

  Group(s):

  CLCS Global Hispanophone, LLC 20th- and 21st-Century Spanish and Iberian, MS Screen Arts and Culture, TC Ecocriticism and Environmental Humanities, Urban Cultural Studies

  Subject(s):

  Documentary films--Production and direction, Documentary films--Authorship, Motion pictures, Spanish, Urban geography

  Item Type:

  Article

  Tag(s):

  Documentary filmmaking, Spanish cinema, Urban studies

  
  

• What is Social Media and Why is it Important to Documentary Filmmakers?

  Author(s):

  FRIEDRICH H. KOHLE

  Editor(s):

  Jyotirmaya Patnaik (see profile)

  Date:

  2016

  Group(s):

  Communication Studies, Cultural Studies, Film-Philosophy, Film Studies, Television Studies

  Subject(s):

  Social media, Motion pictures, Documentary films--Production and direction, Documentary films--Authorship, Journalism, Communication

  Item Type:

  Article

  Tag(s):

  Film, Documentary filmmaking

  
  

• Depicting Development Issues: Thematic Trends of Documentary Films of Mindanao-Based Filmmakers

  Author(s):

  NEF T. LUCZON

  Editor(s):

  Jyotirmaya Patnaik (see profile)

  Date:

  2016

  Group(s):

  Communication Studies, Digital Humanists, Film-Philosophy, Film Studies, Television Studies

  Subject(s):

  Motion pictures, Documentary films--Production and direction, Documentary films--Authorship, Communication, Broadcast journalism, Motion pictures--Production and direction, Motion picture authorship, Phenomenology

  Item Type:

  Article

  Tag(s):

  Mindanao issues, documentary films, development themes, Film, Documentary filmmaking, Cinema, Filmmaking

  
  

• Love transcending time: a concept paper to an untitled documentary

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2019

  Subject(s):

  Motion pictures, Documentary films--Production and direction, Documentary films--Authorship, Art, Documentary films, Autobiography

  Item Type:

  Abstract

  Tag(s):

  concept paper, film proposal, diary film, Film, Cinema, Documentary filmmaking, Documentary production, Documentary, Personal documentary

  
  

• MAN WITH A MOVIE CAMERA: trainspotting!

  Author(s):

  Richard Bossons (see profile)

  Date:

  2020

  Group(s):

  Film Studies

  Subject(s):

  Documentary films--Production and direction, Documentary films--Authorship, Motion pictures, Soviet

  Item Type:

  Article

  Tag(s):

  agit trains, Dziga Vertov, Man with a Movie Camera, railways, trains, Documentary filmmaking, Soviet film

  
  

• MAN WITH A MOVIE CAMERA: the movie cameras

  Author(s):

  Richard Bossons (see profile)

  Date:

  2018

  Group(s):

  Film Studies

  Subject(s):

  Documentary films--Production and direction, Documentary films--Authorship, Motion pictures, Soviet

  Item Type:

  Article

  Tag(s):

  Dziga Vertov, Early cinema, Man with a Movie Camera, silent films, Soviet silent film, Documentary filmmaking, Soviet film

  
  

• MAN WITH A MOVIE CAMERA: the first cinema screening

  Author(s):

  Richard Bossons (see profile)

  Date:

  2020

  Group(s):

  Film Studies

  Subject(s):

  Documentary films--Production and direction, Documentary films--Authorship, Motion pictures, Soviet

  Item Type:

  Article

  Tag(s):

  Dziga Vertov, Early cinema, Early cinemas, Kyiv, Man with a Movie Camera, Documentary filmmaking, Soviet film

  
  

• MAN WITH A MOVIE CAMERA: the film locations

  Author(s):

  Richard Bossons (see profile)

  Date:

  2020

  Group(s):

  Film Studies

  Subject(s):

  Documentary films--Production and direction, Documentary films--Authorship, Motion pictures, Soviet

  Item Type:

  Article

  Tag(s):

  documentary films, Dziga Vertov, Man with a Movie Camera, Soviet silent film, Documentary filmmaking, Soviet film

  
  

• The role of audiovisual production researcher in the treatment of audiovisual documentation

  Author(s):

  Luis Ernesto Paz Enrique (see profile) , Eduardo Alejandro Hernández Alfonso, Rachel Milagros Pérez Cabrera

  Date:

  2020

  Group(s):

  Archives, Film Studies, Library & Information Science

  Subject(s):

  Documentary films--Production and direction, Documentary films--Authorship, Motion pictures--Production and direction, Video recordings--Production and direction

  Item Type:

  Article

  Tag(s):

  Documentary filmmaking, Audiovisual narratives, Film production, Video production

  
  

• Archivo familiar y memoria en El edificio de los chilenos (Macarena Aguiló 2010)

  Author(s):

  Maria Aimaretti (see profile)

  Date:

  2020

  Group(s):

  Red de Investigación Mujeres en el Cine Latinoamericano

  Subject(s):

  Memory, Chlie, Documentary films--Production and direction, Documentary films--Authorship, Archives

  Item Type:

  Article

  Tag(s):

  estudios de exilio, cine documental, archivos, Exile studies, Chile, Documentary filmmaking

  
  

• Affective radicality: prisons, Palestine, and interactive documentary

  Author(s):

  Ryan Watson (see profile)

  Date:

  2017

  Group(s):

  Film Studies

  Subject(s):

  Political participation, Affect (Psychology), Documentary films--Production and direction, Documentary films--Authorship, Interactive multimedia

  Item Type:

  Article

  Tag(s):

  Interactive Documentary, Sharon Daniel, Zohar Kfir, Activism, Affect, Documentary filmmaking, interactive media, Theories of affect

  
  

• In the Wakes of Rodney King: Militant Evidence and Media Activism in the Age of Viral Black Death

  Author(s):

  Ryan Watson (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Blacks--Study and teaching, Digital media, Documentary films--Production and direction, Documentary films--Authorship, Mass media--Study and teaching

  Item Type:

  Article

  Tag(s):

  Media Activism, Militant Evidence, Police Brutality, Visible Evidence, Black studies, Documentary filmmaking, Media studies, Media theory

  
  

• WAR AND THE NATURAL WORLD: Discussion questions for “Scarred Lands and Wounded Lives: The Environmental Footprint of War” by Alice and Lincoln Day and related sources

  Author(s):

  Tom Durwood (see profile)

  Date:

  2012

  Subject(s):

  War, Documentary films--Production and direction, Documentary films--Authorship

  Item Type:

  Course material or learning objects

  Tag(s):

  empire, War and conflict, Environmental humanities, Documentary filmmaking, Film studies

  
  

• WAR AND THE NATURAL WORLD: Interview with filmmakers and producers Alice and Lincoln Day about their documentary “Scarred Lands and Wounded Lives: The Environmental Footprint of War”

  Author(s):

  Lincoln Day, Alice Day, Tom Durwood (see profile)

  Date:

  2012

  Subject(s):

  War, Documentary films--Production and direction, Documentary films--Authorship

  Item Type:

  Interview

  Tag(s):

  empire, War and conflict, Environmental humanities, Film studies, Documentary filmmaking

  
  

• Our man in the archive

  Author(s):

  William Farrell (see profile)

  Date:

  2015

  Subject(s):

  Archives, Television, Documentary films--Production and direction, Documentary films--Authorship, History of contemporary events

  Item Type:

  Blog Post

  Tag(s):

  Adam Curtis, bbc, television archives, history on television, 20th century history, Documentary filmmaking, Contemporary history

  
  

• "I'll See It When I Believe It": Rodney King and the Prison-House of Video

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  1996

  Group(s):

  Documentary Studies, Film Studies

  Subject(s):

  Documentary films--Production and direction, Documentary films--Authorship, Motion pictures, Phenomenology

  Item Type:

  Book chapter

  Tag(s):

  documentary films, Race and film, Documentary, Documentary filmmaking, Film, Cinema

  
  

• Beyond the Morality Tale of Humanitarianism: Epistolary Narration and Montage in Raoul Peck's Assistance mortelle

  Author(s):

  Nathan H. Dize (see profile)

  Date:

  2017

  Group(s):

  CLCS Caribbean, LLC Francophone, Race and Aesthetics in French and Francophone Culture

  Subject(s):

  Haiti, Cinematography, Documentary films--Production and direction, Documentary films--Authorship, Caribbean Area

  Item Type:

  Article

  Tag(s):

  Raoul Peck, Haitian Cinema, Disaster Studies, Documentary filmmaking, Literary criticism, Caribbean

  
  

• Local Landscapes, Global Cinemascapes, and the New Galician Documentary

  Author(s):

  samago (see profile)

  Date:

  2018

  Group(s):

  LLC Galician

  Subject(s):

  Digital Art, Motion pictures, Spanish, Galicians (Spain)--Study and teaching, Cultural geography, Documentary films--Production and direction, Documentary films--Authorship

  Item Type:

  Article

  Tag(s):

  digital cinema, Galician, experimental cinema, Digital arts, Spanish cinema, Galician studies, Documentary filmmaking

  
  

• "Learning to Look: The Educational Documentary and Post-War Race Relations"

  Author(s):

  Stephen Charbonneau (see profile)

  Date:

  2016

  Group(s):

  Film Studies

  Subject(s):

  Civil rights, Documentary films--Production and direction, Documentary films--Authorship

  Item Type:

  Book

  Tag(s):

  nontheatrical filmmaking, Race and film, Documentary, Documentary filmmaking

  
  

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